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AWARDS
Early
Gothic Period/ Romanesque
The
early Gothic period was characterized by painting on wood panels, perhaps
because of the poverty of the Spanish provinces during this period.
"...Although we have a few altars made of metal and enamel, like that of
San Miguel in Excelsis, or in marble, like that of Tarragona cathedral,
such sumptuous pieces are rare. In general, the churches had to be satisfied
with liturgical furniture of painted wood." |
Image: Coronation of Mary (1200-20)
This is one of two the side
panels of the altarpiece at Llusá, the other representing St John
the Evangelist with Mary.
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Painters
Sculptors
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Gothic
Painting
The
Gothic period coincides roughly with the fourteenth
and fifteenth centuries. This span of two hundred years can be divided
into periods which correspond to four distinct styles, linear,
Italian
Gothic, International
Gothic, and Hispano-Flemish.
Particularly important during this time is the Catalan school of painting.
"Throughout the fourteenth century and the first half of the fifteenth,
the Catalan painters preserved an impressive
unity of style, one master succeeding the other without interruption.
We know the names of many of the artists and a good deal about their work...
The Gothic era produced many triptychs (small paintings on wood
and canvas) and articles of furniture with paintings on the inside. Miniaturists
were active, particularly during the thirteenth and fourteenth centuries.
In the fifteenth century, however, the discovery, first of the woodcut
and then of printing, led to a gradual decline in the production of illuminated
manuscripts. "
Also:
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Image: St Dominic Altarpiece
(14th C.)
Image: Tomb of Saint Peter Martyr by Pedro
Berruguete
St Peter Martyr
was a Dominican monk and inquisitor in 13th century Verona. This painting
belongs to a series of nine panels commissioned by High
Inquisitor Torquemada for the St Thomas Church in Avila.
BERRUGUETE, Pedro
(b. 1450, Paredes de Nava,
d. 1504, Avila) Transitional artist from Baroque to Renaissance.
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Painters
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Unknown
Masters (15th C.)
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Bermejo,
Bartolomé (Active
1474-1498)
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Bernat,
Martin (1454 - 1497)
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Berruguete,
Pedro (1450-1504)
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Borrassa,
Lluis (1360-1425)
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Burgos,
Juan De
(Active In 1450s)
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Cordoba,
Pedro De
(Active In 1470s)
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Dalmau,
Luis
(Active 1428-61)
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Francés,
Nicolás
(Active 1424-1468)
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Gallego,
Fernando (1440-1507)
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Huguet,
Jaime
(1415-1492)
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Inglés,
Jorge
(Active 1450s)
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Juan
De Flandes (C. 1465-1519)
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Leocadio,
Pablo de San (late 1400s)
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Martorell,
Bernardo (1400-1452)
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Marzal
De Sax, Andrés
(Active 1393-1410)
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Master
Of Avila (Active 1475-1500)
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Master
Of The Catholic Kings (Active 1485-1500)
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Reixach,
Juan (Active C. 1450-1500)
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Sanchez,
Pedro (Active C. 1450-1500)
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Serra,
Jaume (D.
After 1405)
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Serra,
Pedro (Active
1363-1399)
Sculptors
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Renaissance
The
Renaissance, spread from about 1472-1481 onwards by the Italians, took
hold in Spain during the 16th
century. Many Spanish artists visited Italy, attracted by the fame
of the Italian schools, and returned to spread their version of the lessons
learned from the art of Leonardo,
Raphael,
and Michelangelo.
The most important characteristic distinguishing the Renaissance painting
of Spain from that of Italy, France, and Germany relates more to subject
matter than to style. Spanish painters rejected
mythological themes and the portraits of nude in favor of religious
themes and portraits. In general, they worked for the churches and monasteries
or for nobles.
Also:
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Image: Portrait of Philip II (c. 1580) by Alonso
Sanchez Coello
Sanchez Coello studied in
Flanders. From 1555 he was the court painter of Philip
II.
Image: Burial of Count Orgaz (1586) by El Greco
Image: Sculpture - Bust of an Apostle (1612-1614) by El Greco
GRECO,
El
(b. 1541, Candia,
d. 1614, Toledo)
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Painters
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Borgoña,
Juan De (D. 1554)
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Budapest
Master (Active C. 1500)
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Campaña,
Pedro De (1503-1580)
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Carducho,
Bartolomé (1554-1608)
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Fernández,
Alejo (C. 1475 - C. 1545)
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Greco,
El (1541-1614)
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Juanes,
Juan De (C. 1523-1579)
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Machuca,
Pedro (1490/95-1550)
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Masip,
Vicente (C. 1475-1545)
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Morales,
Luis De (C. 1520-1586)
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Osona,
Rodrigo The Younger (Active 1505-1530)
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Pantoja
De La Cruz, Juan (1553-1608)
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Sanchez
Coello, Alonso (1531-1588)
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Yanez
De La Almedina, Fernando (1489-1536)
Sculptors
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Baroque
The
seventeenth
century is in all respects the golden age of Spanish painting - El
Siglo de Oro. During this "golden age," Seville
and Madrid
were particularly active centers.
The new art - expressing a naturalistic realism - remained
faithful to the themes of the preceding century: pictures of religious
subjects predominate, but the patronage extended by the Hapsburgs
resulted in numerous royal portraits and paintings of historical events.
School
of Seville
Major artists:
School
of Madrid
Major artists:
Also:
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Image: Christ at Emmaus (c. 1620) by Velázquez
This painting is from the
early Caravaggesque period of Velázquez.
VELAZQUEZ,
Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid)
Image: The Young Beggar by Murillo
(c. 1645)
MURILLO,
Bartolomé Esteban
(b. 1617, Sevilla, d. 1682, Sevilla)
Image: Noli me Tangere by Alonso
Cano (c. 1640)
Image: Sculpture - The Resurrected Christ (1570s) by Jeronimo
Hernandez
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Painters
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Antolinez,
José (1635-1675)
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Arellano,
Juan de (1614-1676)
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Cajes,
Eugenio (1575-1634)
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Cano,
Alonso (1601-1667)
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Carducho,
Vicente (1576-1638)
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Carreño
De Miranda, Juan (1614-1685)
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Castillo,
Antonio Del (1616-1668)
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Cerezo,
Mateo (C. 1626-1666)
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Coello,
Claudio (1642-1693)
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Collantes,
Francisco (1599-1656)
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Escalante,
Juan Antonio Frias (1633-1670)
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Espinosa,
Juan de (mid 1600s)
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González,
Bartolomé (1564-1627)
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Hamen,
Juan Van Der (1596-1631)
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Herrera,
Francisco The Elder (C. 1590-1656)
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Herrera,
Francisco The Younger (1622-1685)
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Maino,
Fray Juan Bautista (1581-1649)
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Mazo,
Juan Bautista Martinez (1610/15-1667)
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Murillo,
Bartolomé Esteban (1617-1682)
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Orrente,
Pedro (1580-1645)
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Pereda,
Antonio De (1611-1678)
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Ribalta,
Francisco (1565-1628)
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Ribera,
Jusepe De (1591-1652)
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Roelas,
Juan De Las (1560-1625)
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Sanchez
Cotán, Juan (1561-1627)
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Tristán,
Luis (1586-1624)
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Valdés
Leal, Juan De (1622-1690)
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Velázquez,
Diego Rodriguez De Silva (1599-1660)
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Zurbarán,
Francisco De (1598-1664)
Sculptors
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18th
Century
The
decadent Baroque (rococo) gives way to an increasingly neoclassical
style (beginning with the reign of Carlos
III), which is balanced, serene. Foreign
artists brought to Spain by Carlos III dominate painting. Anton
Raphael Menges (1728-1779) work for the Real
Fàbrica de Tapices introduces the spontaneous popular scene,
thus beginning a tension between foreign influences and a rapid regionalism
which will characterize Spanish art for three centuries.
Also:
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Image: The Shootings
of May Third 1808 (1814) by Goya
One of Goya's two masterpieces
in his "The Disasters of War" series, the second being Dos
de Mayo de 1808.
Padre Jesús Nazareno (1745) - Francisco Salzillo
Image: Spain and the Four Parts
of the World (1792) by Mariano
Maella
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Painters
Sculptors
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19th
Century
La Belle époque (1885-1914)
The
inimitable work of the artistic genius Goya
bridges this and the previous century. A very eclectic period, the nineteenth
century witnesses the rise of nationalism, and thus of Spanish themes in
painting and sculpture. The early part of the century is dominated by a
late neoclassism,
before the flowering of Romanticism,
with its emphasis on the sentimental and the exotic. Historical painters,
landscape artists and realists are important in the last half of the century.
During the period called La Belle Epoque, impressionism
arrives in Spain.
Also:
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Image: Lady Amalia of Llano and Dotres, the Countess of Vilches
by Federico de Madrazo
Image: Tejiendo las redes by
Joaquín Sorolla
Image: S.T. by Joaquim
Mir
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Painters
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Alenza, Leonardo (1807-1845)
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Beruete,
Aureliano (1845-1912)
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Esquivel, Antonio María
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Garreta,
Raimundo de Madrazo y (1841-1920)
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González,
Vicente Palmaroli (1834-1896)
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Lopez,
Bernardo (1801-1874)
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Lopez,
Vicente (1772-1850)
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Madrazo,
Federico de (1815-1894)
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Madrazo,
José (1781-1859)
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Marsal,
Mariano Fortuny y (1838-1874)
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Mir,
Joaquín (1873-1940)
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Nonell,
Isidro (1873-1911)
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Pinazo, Ignacio
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Regoyos, Darío de
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Ribera, Juan Antonio
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Rusiñol,
Santiago (1861-1931)
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Sorolla,
Joaquín (1863-1923)
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Villaamil, Jenaro Pérez
Sculptors
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Blay, Miguel
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Cubero, José
Alvarez
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Ginés, José
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Llimona, José
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Querol y Subirats, Agustín
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20th
Century
Contemporary
art is still characterized by the tension between tradition (regionalism,
costumbrismo)
and innovation (cosmopolitanism and the vanguard).: cubism, surrealism,
etc. Since the death of Franco
in 1975, the arts have received great impetus, and sculpture in particular
has transformed the Spanish art world, by transcending the burden of Spanish
tradition.
Cubism,
a highly influential visual arts style of the 20th century, was created
principally by the Spanish painters Pablo
Picasso and Juan
Gris, and Georges Braque in Paris. The Cubist style rejected
the traditional techniques of perspective, foreshortening, modeling, and
chiaroscuro as well as the notion of art as an "imitation of nature."
Instead, Cubists portrayed subject matter using geometric forms, cubes
and cones -- radically fragmented objects, whose several sides were seen
simultaneously.
Surrealism,
growing principally out of the earlier Dada
movement, flourished in Europe between World Wars I and II. With its emphasis
on content, free form fantasy, Surrealism provided a major alternative
to the contemporary, highly formalistic Cubist movement. The major Spanish
Surrealist painters were Salvador
Dalí and Joán
Miró.
Also:
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Image: Uranus
by Pablo
Gargallo
Image: Blue Boy (1905)
by Pablo Picasso
Pablo Picasso self-portrait (1881-1973)
Image: Sanlúcar de Barrameda (1975-77) by Carmen
Laffón
Image: The Persistence of Memory (1931) - Salvador
Dalí
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Painters
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Barjola, Juan
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Dalí,
Salvador (1904-1989)
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Díaz, Daniel Vázquez
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Fraile,
Alfonso v(1930- )
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Gris,
Juan (1887-1927)
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Laffón,
Carmen (1934- )
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López,
Antonio
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Miró,
Joán (1893-1983)
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Muñoz, Godofredo Ortega
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Palencia, Benjamín
(1894-1980)
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Picasso,
Pablo (1881-1973)
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Solana,
José Gutiérrez
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Tapies,
Antoni (1923- )
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Toral, Cristóbal
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Villalta, Guillermo Pérez
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Zabaleta,
Rafael (1907-1960)
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Zuloaga,
Ignacio (1870-1946)
Sculptors
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Avalos,
Juan de
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Benlliure,
Mariano (1862-1947)
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Chillida,
Eduardo (1924- )
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Chirino,
Martín (1925- )
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Coullaut-Valera, Lorenzo
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Gargallo,
Pablo (1881-1934)
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González,
Julio (1876-1942)
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Macho, Victorio
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Marinas, Aniceto
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Serrano, Pablo
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Subirachs,
José María
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Sources:
© UNCG,
Last update: September, 1999, Division
of Continual Learning - Distance Learning and Professional Development
Instructor: Karen
Rauch, UNCG Department of Romance
Languages
Webcourse design/maintenance:
Lane
Price (lead), Anita
Warfford. |